Author: Calissa

Van Vliet, Taylor – The Untraditional Heaven in Emily Dickinson’s “Some keep the Sabbath going to Church”

Abstract:

This project is a language analysis of Emily Dickinson’s poem “Some Keep the Sabbath Going to Church.” The Oxford English Dictionary was used to define each word in the poem as it would have been understood in Dickinson’s time. Using the appropriate definitions, the paper explicates the poem, unpacking the symbols and metaphors created by the religious vocabulary. Throughout the poem, Dickinson uses contrasting religious and natural images to explain the speaker’s relationship with the idea of “church.” Ultimately, an analysis of the poem shows that the speaker views heaven not as an end goal to a life in church, but as a state of being one can experience in nature. 

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Sutton, Teresa- “I Want the Fairy Tale”: How Romantic Short Films and Attachment Affect Romantic Beliefs

Abstract:

Romantic films have impacted popular culture with famous scenes and quotable lines that fuel fans’ expectations for their own relationships. With the increase of streaming services, romantic media is more accessible. Because of this, it is important to understand how idealistic or realistic romances affect romantic beliefs. Because of its effect on relationships, it is also important to examine how attachment might moderate romantic beliefs. In the current study, I examined whether viewing an idealistic or a realistic short film would affect romantic beliefs and whether attachment relates to romantic beliefs. The results show no significant difference in romantic beliefs between the two film conditions, although avoidance, but not anxiety, was a significant predictor of romantic beliefs. Overall, the results of the current study show no significant difference in romantic beliefs between the idealistic and realistic films, but there was a statistically significant correlation between avoidance attachment and romantic beliefs.

Keywords:  romantic beliefs, avoidant attachment, anxious attachment, idealistic romance, realistic romance, romantic short films

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Sutton, Georgi- Beautiful Minds or Dangerous Madmen?: How Portrayals of Mental Illness Affect Perceptions

Abstract:

Film, television, and other sources of media often serve as a spotlight on the world, highlighting both the good and bad sides of human nature. One concept that is often explored in films and television is mental illness. While some media portrayals show mental illness in a sympathetic light, other portrayals show those with mental disorders as violent and criminal (Diefenbach, 1997; Kondo, 2008), as well as frightening and dangerous (Wahl & Roth, 1982). These negative media portrayals of mental illness could potentially lead to less tolerance for the mentally ill (Granello, Pauley, & Carmichael, 1999) and encourage negative reactions toward those with mental disorders (Stuart, 2006). These negative perceptions of those with mental illness could potentially impact their self-esteem, make them less likely to seek treatment, and make them less likely to continue their medication (Stuart, 2006). However, there are ways to combat the negative effects of distorted portrayals of mental illness in the media including using the media to show realistic depictions of mental illness (Penn, Chamberlin, & Mueser, 2003), discussing portrayals of mental illness in film (Petkari, 2017), and interacting with real people who have mental disorders and taking informational classes (Granello, Pauley, & Carmichael, 1999). While these findings do not provide a perfect solution to counteract negative media portrayals of mental illness, they show how accurate knowledge about mental disorders can increase tolerance and reduce the stigma. 

Keywords:  mental illness portrayals, film, television, media, perceptions, stigma

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Stallmann, Kit- Straight-Jackets: Gay Characters and Mental Asylums Across Times and Cultures, as Portrayed in Film and Literature

Abstract:

Film and literature often reflect the most difficult and complex issues of society, including examinations and explorations of history’s forgotten characters. This paper explores the connections between film and literature published in a fifty-year span that feature homosexual characters imprisoned in mental asylums and the sexual, emotional, and physical abuse they receive at the hands of their caretakers. This paper also examines how each homosexual character, despite their traumatic circumstances, is allowed to emerge from their imprisonment with dignity. Research on historical asylums and homosexual patients are compared to One Flew Over the Cuckoo’s Nest (1962), Fingersmith (2002), and The Handmaiden (2016) in an examination of history’s often-overlooked mental asylum patients.

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The Morningside Review 2020: Vol 2

Letter from the Editor

Research:

Erdmann, Leah: Into the Psyche: Mental Illness’ Depiction in Entertainment using Chris McCandless’s story as told by Jon Krakauer and Sean Penn

Stallmann, Kit: Straight-Jackets: Gay Characters and Mental Asylums Across Times and Cultures, as Portrayed  in Film and Literature 

Sutton, Georgi: Beautiful Minds or Dangerous Madmen?: How Portrayals of Mental Illness Affect Perceptions

Sutton, Teresa: “I Want the Fairy Tale”: How Romantic Short Films and Attachment Affect Romantic Beliefs

Van Vliet, Taylor: The Untraditional Heaven in Emily Dickinson’s “Some keep the Sabbath going to Church”

Erdmann, Leah- Into the Psyche: Mental Illness’ Depiction in Entertainment using Chris McCandless’s story as told by Jon Krakauer and Sean Penn

Abstract:

This essay examines Jon Krakauer’s 1996 nonfictional novel Into the Wild, which tells the tragic story of young wanderer Chris McCandless, and compares Krakauer’s interpretation to Sean Penn’s 2007 film of the same name, which closely follows the themes and trajectories Krakauer chose for the work. Among their similarities, both mediums fail to address the likelihood of McCandless’s unstable mental health. Substantial evidence reveals the young man’s behavior frequently exhibited symptoms of both bipolar disorder and schizophrenia. When they chose to exclude this important detail in favor of a dreamier, more idealized story, Krakauer and Penn relinquished valuable opportunities to contribute to the social de-stigmatization of mental illness.

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